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This is a website about all things Beatle. There will be news if we find them attractive, there will also be articles and features about sol...
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PAUL McCARTNEY & WINGS ONE HAND CLAPPING LIVE STUDIO SESSIONS FINALLY TO BE RELEASED - Paul McCartney & Wings One Hand Clapping Live Studio Sessions from 1974 Newly Mixed will be released on June 14, 2024. One of music's most mythical live ...
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McCartney & Wings – One Hand Clapping Live Studio Sessions from 1974 Newly Mixed - Seems someone at Universal Music Canada hit the “Publish” button a little early on a press release about a hitherto unknown June release from Paul McCartne...
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Restored Let It Be film coming to Disney+ 05-08-24 - The Beatles’ 1970 film Let It Be is coming to Disney+ on 8 May 2024. The film, directed by Michael Lindsay-Hogg in January 1969, has been commercially un...
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LIBB P767: 15 April 2024 - Show 1460 Panel: Graeme Dickenson, Gary Lally, Greg Armstrong *LIBB Show 1460 WynFM Podcast P767* Download Or Stream LIBB Show 1460 WynFM Podcast P767 ...
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Revamping the Red and Blue albums – it’s all too much - Amid all the hullabaloo surrounding the release of ‘Now and Then’ in November, the major facelift and expansion of the definitive Beatles compilations whic...
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Having a Large Time! - I’m still working on the manuscript, but I just got the proof for the cover for my upcoming book about Southern music, and I’m very pleased with how it tur...
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Harry Benson : « Paul » livre l'intimité de McCartney - C’est en 1964 que Harry Benson commence à photographier le jeune Paul McCartney, année charnière pour les Beatles qui déferlent sur l’Amérique, sillonnen...
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ED治療の際はシルデナフィルの使い方を正しくマスターしよう! - シルデナフィルはED治療によく使用されていますが、使い方を間違えると命に関わることもありますので注意が必要です。一番良い方法は、医師や薬剤師など専門家に相談し、指示を守って服用することですが、ここでは一般的に言われているシルデナフィルの正しい使い方についてご紹介します。 市販されているシルデナフィルには25...
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William Leslie Anthony (Les Anthony): 30 April 1933 - 21 May 2020. - Les Anthony, John's driver from 1965-1971, has died. The story goes that John was having problems finding a suitable chauffeur, and so Brian Epstein, upo...
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The Decca Tapes - First Time In Stereo (By Lord Reith) - BITRATE: FLAC TRACK LISTING: Money The Sheikh Of Araby Memphis, Tennessee Three Cool Cats Sure To Fall September In The Rain Take Good Care Of My Baby Till...
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The Final Beatles' Recording Session - On April 01 1970, final work was done on three of the tunes for the upcoming "Let It Be" (formerly known as "Get Back") project. The session was held in St...
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There are seven levels. - [image: giphy (4)]
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Bitcoin and Other Donations - Hello fellow Beatle-people! I have not been idle but been working on many things including the promised book for Comprehensive Beatles. I hope to have new...
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Beatles Rarity of the Week – “Act Naturally” (Ringo Starr duet with Cilla Black, 1971) - Welcome to the Beatles Rarity of the Week. On August 1st, 2015 long-time Beatles-friend and fellow Liverpudlian Cilla Black (real name Priscilla Maria Vero...
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"Pure McCartney" is a new 2CD or deluxe 4CD compilation of previously released songs. So the news are out...er somewhat. I gue...
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The Beatles' "Long Tall Sally" EP, featuring a photo of The Beatles in Sweden. Ok, so we brougth you a survey of the most ...
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George Harrison Video Collection By Mike Carrera A fan recently asked which was the best Harrison “promo clip compilation” and my resp...
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From the photo session: The Beatles with Adam, the son of photographer Michael Cooper. If you're looking for news about the upcoming...
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The Sunday Times: Anniversary re-release of "Sgt. Pepper's Lonely Hearts Club band" due. According to The Sunday Times, a ...
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The Beatles in Madrid (the photos, that is) Okay, we fell for it, hook, line and sinker. It was after all, a good story with a beautiful...
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LET IT BE In a new interview with Cinematographer Tony Richmond, who worked on the "Let It Be" film under director Michael Lin...
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Record store in Amsterdam From Monday to Friday last week, I've been in Amsterdam in Holland. And that's where I was when the ne...
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Get your tickets for a special recording session with Sir Paul at BBC Maida Vale Studios! The radio series Mastertapes returns to BBC R...
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This website is all about The Beatles and the individual members of The Beatles. It is kept by Roger Stormo, who has been associated with the Norwegian Beatles fan club, "Norwegian Wood", since 1980. Feel free to quote from the site, but please give me credit and a link back to the original item. As an Amazon Associate I earn from qualifying purchases. This is not a news site per se, but if we hear about something that has yet to be reported by other Beatles news services, we tend to write about it. Apart from that, we will write stuff about the Beatles on an irregular basis at the whim of the author. A lot of our readers arrive at specific articles from internet searches or references to this site from forums and other Beatles sites. If you did, we encourage you to click here to access the main page, and also to indulge in our archives - you may find other posts that are interesting. You may also subscribe to news from the site and have each new issue delivered to your rss feed reader.
This is not a begging letter... but feel free to support me by donating money! It'll keep me in business... Or just buy a t-shirt! Or take a look at my Amazon wish list...If you have Beatles related product to push, feel free to send us a copy, the address is:
Roger Stormo
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NO-2004 Lillestrøm
NORWAY
email: roger.stormo@gmail.com
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Sunday 30 January 2011
Beatles on "I was there" ITV1
"I Was There…When The Beatles Played The Cavern" tells the story of the underground venue which has become synonymous with The Beatles.
The programme includes rare archive footage of the Cavern Club in the sixties, including film of The Beatles performing ‘Some Other Guy’ at the club.
On 9 February 1961, having recently returned to Liverpool from performing in Hamburg, The Beatles played at The Cavern for the first of nearly 300 appearances at the club. By the time they played their last gig there, Beatlemania had swept Britain and the band was conquering the world.
The documentary also tells the story of what happened to The Cavern after The Beatles. It lived on until 1973 – with rock legends such as Queen, Elton John and Rod Stewart treading its cramped stage – before it was eventually closed during construction on the Merseyrail underground loop.
But that wasn’t the end of The Cavern story. A decade later the club was rebuilt on its original site and today serves a dual purpose as a venue for up and coming bands and a tourist attraction for Beatles fans from across the globe.
In this programme fans, members of other Merseybeat bands and Cavern insiders help separate the facts from the myths that have grown up around the goings on deep beneath the ground at 10 Mathew Street, Liverpool.
Gerry Marsden, who played at The Cavern with Gerry and the Pacemakers, recalls how, above all else, the thing he associates with the club is the smell of disinfectant.
The documentary includes an interview with Pete Best, drummer for The Beatles for much of their Cavern period, and famous Cavernites including playwright Willy Russell relive the heady excitement of their teenage years.
New HMC releases
"The Beatles - Unforgettable" - aka "The McCartney Christmas Album" |
"The Beatles Christmas Album" |
Just too late for Christmas! And a tad disappointing re the rumours of an upcoming release of Paul's Christmas album. Apparantly a tape the used to contain the album was taped over by John and Ringo, and you'll only hear little snippets of what was originally on the underlaying layer of magnetic fields. Click on a cover for further information. These are both coloured vinyl releases with a bonus CD each. The material on the CD's does not mirror the LP's. The 1965 Christmas 26 minute tape is the reel that was auctioned in 2003 but was unsold and later offered on ebay.
Note: These are unauthorised "bootleg" releases from the "His Master's Choice" company, and the releases have not been approved by the recording artists. We do not know where to get them, we are simply passing on information that has been given us.
Saturday 29 January 2011
The Beatles on a stool
Some photos are rarely seen these days, and can only be found in old magazines and scrap books from the sixties. Most magazines were sent original negatives, after use they filed them away and several such archives have been victims of fire - or just disposed of as the magazine went out of business.
Thursday 27 January 2011
Album covers: White album
The Beatles (aka White Album) - Richard Hamilton or John Kelly |
In June 1968, shortly after the beginning of the sessions for their next album, the Beatles commissioned various designers to come up with sleeve ideas. One was a psychedelic drawing on a gate fold cover. The illustration presented the title on the front and on the back the Beatles' faces in a mountainside overlooking a sea. Another idea was a transparent cover which would reveal a colour photograph as the record was pulled out of the wallet.
Some suggest that a drawing by John Patrick Byrne (Patrick), used in the eighties as the front cover of compilation album called The Beatles Ballads, is one of the rejected covers for the album. It was not.
An early attempt at the album cover, when it was still referred to as A Doll's House.
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When in the fall there was enough material for a double album, that possibility was considered. The concept of two vinyl albums housed in a gate fold sleeve had rarely been seen outside the classical field. There were only two precedents: Zappa’s "Freak Out" and Dylan’s "Blonde On Blonde". It was decided that the cover of the album had to be in stark contrast to the kaleidoscopic covers of their two previous releases.
Again Robert Fraser was asked for an established artist. This time, he suggested Richard Hamilton (45), the inventor of Pop Art. Paul knew his work and a meeting was arranged at Apple. In Blinds And Shutters, the book of Michael Cooper, Richard recalled the meeting with Paul: "Since Sergeant Pepper was so over the top, I explained, I would be inclined to do a very prissy thing, almost like a limited edition. He didn’t discourage me so I went on to propose a plain white album; if that were too clean and empty, then maybe we could paint a ring of brown stain to look as if a coffee cup had been left on it – but that was thought a bit too flippant."
As a reference to the Apple label, he suggested to bounce an apple to a bit of paper and create a smudge, "a very light green smear with a bit of pulp." But because that might prove too hard to print, the idea had to go.
In an interview for Beatles Unlimited (BU 98-99) photographer John Kelly claims the idea of a white album was his: "At the time I did a whole lot of fashion and beauty kind of stuff and I was very much into white. Different shades of white and I made a Christmas card which was all white. I printed matte white lettering on it. You couldn’t really read it unless you held it at a certain angle …. So white was it for me in that period and John Lennon in particular was fond of white. He used to wear all white during that period. I got this idea to do this cover, also the idea of the numbers on the album sleeve. The Beatles liked the idea."
Paul however remembers it was Richard Hamilton who suggested that each copy was to be individually numbered. "I also suggested that they might number each copy,"agrees Hamilton, "to create the ironic situation of a numbered edition of something like five million copies."
EMI was not as enthusiastic as the Beatles about the idea, but Paul persuaded them: "Look, records must go through something to put the shrink wrap on or to staple them. Couldn’t you just have a little thing at the end of that process that hits the paper and prints numbers on it?"
So every LP got a unique stamped serial number. The numbers 000001 to 000020 were for the Beatles themselves and their friends. "We got the first four," Paul later recalled. "I don’t know where mine is, of course. Everything got lost. It’s all coming up in Sothebys I imagine. John got 000001 because he shouted the loudest. He said ‘Baggy, number one!" He knew the game, you’ve gotta bagsy it!" George Martin got number 000007 and Derek Taylor 000009.
Each factory numbered differently: there are reportedly twelve copies of number 000001.
They numbered over 3 200 000 of them. Collecting variations in numbering style can be an interesting sideline. Obviously the lower the stamped number the greater the value, so now 0050000 would be about £100, whereas 0000010 could be worth £5,000.
But the album still had no title. Richard Hamilton suggested 'The Beatles'. Because Sgt. Pepper’s was named after a fictitious band and the four of them not always played together as a group, it seemed a good joke to name the double album again after a fictitious band: so The Beatles it was.
Another thing that proved to be difficult was the embossing. John Kelley: "The (title) on the album cover was embossed. It was therefore somehow raising the surface of the album cover. The printer said that they could not get a hundred albums, which is the normal standard packing, in a package to send to people. It could only keep 98 or 99. So there was discussion going on to keep or drop the plan of embossing… It all went through at long last, but it proved to be a bit of a struggle."
After a while Richard Hamilton had second thoughts: "… but then I began to feel a bit guilty at putting their double album under plain white wrappers; even the lettering is casual, almost invisible, a blind stamping. I suggested it could be jazzed up with a large edition print, an insert that would be even more glamorous than a normal sleeve."
For a fortnight in October 1968, Paul drove almost daily to Hamilton’s house in Highgate, to work together on the collage. Paul: "It was very exciting for me because I was interested in art, and now I could be his assistant for a week… gather the pictures and make new prints. And then I could watch the whole week while he made the collage. It’s great to watch someone paint. The fine thing was that he eventually filled the whole collage with pictures and then added the white paper to that he sticked everywhere, to give it some space... He explained that it could breathe that way."
White album poster - Richard Hamilton/Paul McCartney |
Most of the recent pictures were taken by John Kelley, though some of the pictures of Paul were taken by his new lover, Linda Eastman.
On the back of the poster, the lyrics are reprinted.
Gordon House suggested to make four portraits, for the inside of the gate fold cover. That’s a job for John Kelly.
Again Kelly states he suggested the idea: "I said: ‘If you have a white cover, you should have some pictures of yourselves inside. Not all together like the "head shot" but individual ones, just straight and simple so the fans have something.’ They agreed to do that and I did them at Apple. Well three of them. A nice easy picture of them, no incredible lightning or so. That was at the time that Paul couldn’t decide to go shaved or unshaven. We had ‘words’ about that and several attempts. Paul’s picture, by the way, was taken at Cavendish Avenue."
The Beatles individual portraits - John Kelley |
The colour photographic prints of the band are also inserted in the sleeves.
The UK issue opened from the top, for the first pressings; the US issue took a more standard approach by opening from the side. Another difference was that the four colour photos were slightly smaller in the US than the UK issue. Early copies were issued with a protector sheet placed on the top of each photo and have custom black inner sleeves.
Taken from Patrick Roefflaer's excellent article on the Beatles' album covers.
Paul McCartney to rock Rio for real
Rock in Rio is a series of rock festivals held in Brazil and later in Portugal and Spain.
Three incarnations of the festival were in Rio de Janeiro, in 1985, 1991 and 2001, four in Lisbon, in 2004, 2006, 2008 and 2010, and two in Madrid in 2008 and 2010. The shows were organized by Brazilian entrepreneur Roberto Medina. In 2011, Rock in Rio will take place in its original home, Rio de Janeiro. Rock in Rio has been the largest rock festival in the world, with 1.5 million people in the first edition, 700,000 in the second, about 1.2 million in the third, and about 350,000 people in each of the 3 Lisbon editions. Apart from Paul McCartney, artists such as The Red Hot Chili Peppers, Korn, Metallica, and many others are due to perform at the 2011 festival.
Read more: Paul McCartney Will Rock Rio This Fall!
Paul McCartney has visited Brazil several times. In 1990, Paul McCartney performed solo at a record breaking concert in Rio de Janeiro's Maracana Stadium which attracted a stadium crowd of more than 184,000 fans. He last performed in Brazil in November 2010, a mere two months ago.
Wednesday 26 January 2011
Alf Bicknell lives on as an app
Alf, who narrated and conceived the idea behind Beatles Diary, was the Beatles' chauffeur for three years. From 1964 to 1966 he drove John, Paul, George, and Ringo from gig to gig and airport to hotel. He was with them when they visited Elvis, played Shea and he got beat up in the Philippines.
The new iPhone app version of Beatles Diary is a behind-the-scenes look at the Fab Four’s history and meteoric rise to fame, offering never before seen letters, photos and videos. The unique content in Beatles Diary originates from Alf Bicknell's archives. Thanks to Google Maps integration, users can also take a virtual tour of the places that played a part in life of The Beatles in Liverpool. Beatles Diary 1.0.1 is priced at $4.99 (USD) and available worldwide through the iTunes App Store in the Entertainment category. Purchase here or use your iPhone (but beware; it's a heavy 376 MB download)! Beatles Diary is released by Dynamedia of America, a Tampa FL based advertising company.
Your's truly behind Alf Bicknell in Studio 2, Abbey Road around 1996. |
Get Back to Stavanger
What: Signed The Beatles albums from the Einar Arne Iversen collection
Time: 15.00 - 16.00 Wednesday 16 February 2011
Place: Main reception area, Statoil office, Forusbeen 50, Stavanger, Norway
From the forming of The Beatles in 1960 until its break-up in 1970, the group made a great number of unforgettable hits, now treasured by all generations. The Einar Arne Iversen collection covers their whole production, in addition to special albums made after the break-up, all signed by the original members.
Programme:
• Welcome by Jens R Jenssen, senior vice president of human resources in Statoil and leader of the Statoil art programme
• Opening by Bård Ose, music journalist in the Norwegian Broadcasting Corporation (NRK) and writer of the book Beatles hele livet (Beatles forever)
• “My passion” by Einar Arne Iversen, the collector
• Guided tour with Bård Ose and Einar Arne Iversen
A light buffet and drinks will be served.
An illustrated catalogue accompanies the exhibition.
Curators: Arnt N Fredheim, Wenche Falkenhaug and Einar Arne
Iversen
Welcome!
Limited participation, RSVP by 14 February to artprog@statoil.com or +4751994519
www.statoil.com/artprogramme
Saturday 22 January 2011
A trip to Amsterdam and Hamburg
My friend Gabriëlla van Karsbergen wanted me to mention in my blog about a trip Beatles International is organizing to Amsterdam and Hamburg on April 20th. So if you want to follow in the footsteps of the Beatles and visit the sights in Amsterdam, the war memorial near Arnhem, and the Beatles sights in and around Hamburg such as the Kaiserkeller, BeatleMania museum, Indra Club, Reeperbahn, Grosse Freiheit etc., here's an opportunity. For more info and booking details go here or send an email to Gabriella.
Saturday 15 January 2011
How much is my old vinyl Beatles record worth?
It's the question most people ask themselves when they stumble upon a case of half-forgotten vinyl records in the attic. A lot of them wrongfully assumes that as long as it's got something to do with the Beatles, it must be valuable. Vinyl records are not scarce, and least of all Beatles records. Obscure artists and bands yes, Beatles no. Or at least, that's the general rule. After all, the Beatles was the best selling act in their time - naturally their records were pressed up in giant quantities compared to other artists. And when the first edition of a particular record was sold out, a new edition would instantly be made. And since the Beatles remained popular throughout the seventies and beyond, the record companies made sure they were always stocked up. So in general, all the Beatles standard albums, both in the USA, the UK and in most other countries remained available in record shops until CD's took over most of the market around the early nineties. In the last few years, vinyl albums have come in vogue again and the Beatles' albums have once again been re-pressed. In 2010, more new vinyl records were sold than in any previous year since 1991. And the best selling new vinyl album for the past two years in a row was "Abbey Road" by The Beatles. Even though a vinyl version based on the 2009 remastered CD editions has yet to be released. So if you happen upon a Beatles LP, it's not necessarily a sixties pressing. A 1978 pressing of, say for instance "Meet The Beatles" does not have the number 1978 written anywhere on the record sleeve or label, it still said 1964. Upon the initial release of Beatles albums on CD in 1987, no new pressings were made from the USA albums, only the standard UK releases were allowed further vinyl editions. And of those, only the ones that were released as CD's were allowed to be reissued on vinyl. So records like "A Collection of Beatles Oldies" from 1966 and "The Beatles At The Hollywood Bowl" from 1977 fell by the wayside.
As you may have gathered by this blog post so far, you can't ask a Beatles collector if such and such album title is worth a lot. Rarities in Beatles collector's circles are determined not by title but by which pressing it is. Is it a sixties original first edition pressing? Or a later edition but still from the sixties? Is it in mono or stereo? East coast or west coast pressing plant? A seventies pressing? A foreign pressing? Does it come with the original inner sleeve? Is it scratched or does it play nicely? Is there writing anywhere on the sleeve or the label? Is the cover intackt or dog-eared and worn? Most old records are worn and have the original owner's initials or full name or even his full adress written on it. And it will be scratched or worse, and have dirt in the grooves. So if you're sure your old record is from when it was first released AND it's still in a great condition, only then can you speculate whether your record may be worth something.
That's the general information and applies to most Beatles records. And then there are the exceptions to the rule. Yes there still are some real Beatles gems to be discovered. More about real Beatles rarities in upcoming blog posts. One word of advice: If you happen upon an original copy of the US album "Yesterday...And Today", don't try to peel off the paste-on cover to reveal the underlying "butcher" cover. Too many people have done just that, so now it's more valuable unpeeled.
Wednesday 12 January 2011
"Pink" concert Beatles virtual reunion rumours
Just in: this cryptic press release from David Harrison Levi: "Rumors reported by the Daily Star UK, KEarth101, ABC News, NBC News and others regarding my tentative Sir Paul McCartney & Ringo Starr World Peace Breast Cancer Awareness free “Pink concert” at The Hollywood Bowl tentatively scheduled August 27, 2011 will be addressed at our upcoming worldwide press conference scheduled in February in Beverly Hills. Details to follow."
Just a PR stunt?
I certainly hope that the rumours regarding a "virtual" Beatles reunion are just that. A report surfaced last year from Britain’s tabloid newspaper Daily Star that The Beatles are to have a “virtual reunion” on stage at the Hollywood Bowl for a special charity show. It was believed that Paul McCartney and Ringo Starr would play alongside digital images of John Lennon and George Harrison. There has been no official confirmation from McCartney, Starr or Apple Records.